'The Duchess' Review

Watch the trailer: http://www.moviefone.com/movie/the-duchess/32364/main

The Duchess has been tauted for its parallels between events in the life of the titled character, Georgiana Spencer with those of her famous descendent, Princess Diana. Both wed men above them in station and were denied of love as they took a back seat to their husband's infidelities. Both women were regaled for their fashion sense and became more popular to the dismay and possible jealousy of their cold fish mates who drove these women into the arms of others. You can read more about it here: http://www.nytimes.com/2008/09/07/movies/moviesspecial/07kant.html?_r=1&ref=movies&oref=slogin
Forgetting current events, this is a grand costume drama lavish with details of dress and decor, great photography and a moving score by Rachel Portman. The actors are perfect for their roles and seem like they were born into their costumes. Kiera Knightley brings a determination to her role as a defiant wife trapped in a cruel marriage and society's rigid rules. Ralph Fiennes once again shows why he is one of Britain's finest actors. His reptilian performance as the Duke gets much mileage out of a stare or a sneer as well as his occasional outbursts. Like Georgiana, he's a prisoner of his social position and who's only interested in achieving a male heir instead of satisfying her needs. Added to this volatile marriage is Hayley Atwell who begins as Georgiana's live-in friend, becomes the duke's mistress, and ultimately her ally. She probably was the best thing in the recent remake of Brideshead Revisited, which worked better if you were unfamiliar with the novel and the miniseries. It's OK for the duke to have his women, but when Georgiana begins an affair with an old friend, he threatens to destroy their lives. The duke is a powerful adversary and not one to have as your enemy as they soon learn.
Other notable performances include Charlotte Rampling looking matronly as Georgiana's wise and ambitious mother and Simon McBirney as a crafty politician. Everyone here has their place in society including their servants whose expressions add a silent commentary to the action. It's saving face and position that seems to be the theme of this story. Those who don't follow the rules of outward appearances are crushed by them.